Articles and episodes about learning, coaching, and performing improv and comedy. Some of these articles will specifically consider the cognitive aspects of performing improv & comedy (stage or digital).
Hello improvisers, If you're neurodivergent, you may have experienced your fair share of misunderstandings in life. And probably when it comes to doing improv in our respective communities, theaters and/or teams. And because of masking and that exhausting effort we know pretty well, it can be difficult to receive the support we need in the community. That we even might need support at all (how many of you have seen that look of disbelief there's even an issue in the first place? or like... I dunno... started a podcast because of it?) This week's episode is all about communication pitfalls in improv. And I left a special extra message for y'all ND performers at the very end. There's a lot more I wanted to say, like a lot a lot more, but I tried to be less verbose than usual on this topic! Improve Communication So You Can Improvise With Anyone"I do not need to learn to communicate with men on my improv team because I am not a man." That seems wrong, right? We know that to be a successful team member, we have to communicate with everyone. And yet, I have heard alternate versions of this idea from well-intentioned people. People I trust and respect. They have said, for example, they don't need to learn about neurodivergent communication because they are not neurodivergent. But my hunch is that they said this because they thought we did not have communication problems. Or maybe I didn't. The intention is not malicious, but the impact is significant. It tells the other person, "You need to do the thinking and communicating my way." It creates an invisible, exhausting burden for anyone who does not fit the statistical norm of a particular improv space. This is a problem. Right now, improv is often wired to a specific norm, which means communication issues are common. People who are different often feel they have to mask their true selves to fit in, which robs the stage of their unique perspective and lived experience. Of their way of communicating, which is just as valid as yours. The root causes of these issues often boil down to a few key things. But the good news is that the solution is clear and easy when you keep it top of mind. Great improvisers, the ones who can do a good scene with literally anyone, have the ability to adapt their communication style. There is a four-step path to developing this skill:
A great improviser is a generous and flexible communicator. They do not expect others to adapt to them; they take on the work of adapting to others. They are curious and they care, which leads to next-level listening. Watch Or Listen HereThe podcast and the youtube episode also contains a special note at the end for neurodivergent improvisers related to this week's topic, and also an exercise you can do with your classes or team.
Or access (and perhaps share?!) the web page for this episode (#29) here. More on Your Improv BrainHas your mind gone blank on stage? Here's an easy process to adopt to help you when this happens. Watch or Listen Here:
New improvised episodes (& be on a show?)Looking for an example of a twoprov monoscene online? Of course you are! Aren't we all? Anyway. Grack Public Access has your back. Here are some new episodes of this show. You can even be on it! Really easy - just leave a quick voicemail in (a new) character, or as yourself. You can leave us pretty much whatever you want and we will probably find a way to work with it. We also have in-episode examples of voicemails too, starting on episode 5 (out July 24th).
That's all for now my friends! Just click reply to reach out, anytime! Jen. |
Articles and episodes about learning, coaching, and performing improv and comedy. Some of these articles will specifically consider the cognitive aspects of performing improv & comedy (stage or digital).